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The RA Shop online is now open, and you can shop an edit of our collections at the RA Shops at Burlington House and Burlington Gardens, with a free ticket.

We are currently doing some behind the scenes improvement. There will be a 7-10 day delay on deliveries from 7 August. Thank you for your patience.

For more information on our shops and services and how we are keeping our visitors and staff safe, please click here

Ann Christopher Special Edition Hardback Catalogue

A special edition monograph to coincide with Ann Christopher’s solo exhibition at the Royal Academy. Published in a Limited Edition of 35, each copy is accompanied by a print, Finding Lines. Produced in collaboration with Amy-Jane Blackhall at Ink on Paper in Wiltshire, each intaglio print was hand-finished by the artist, with hand-drawn graphite lines and collage on Somerset Satin White 300 gsm paper.

 

 

 

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£350.00
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More details

Dimensions 24.5 x 21cm
Fabric & material Intaglio
No. of Pages 160
No. of Illustrations 130
Edition 35
Medium Print
SKU 02084379

Delivery & returns information

Service Update (updated 19 March 2020)

We want to make sure your order reaches you as safely as possible. Therefore, due to the outbreak of COVID-19, all orders will be dispatched once the RA has reopened. We will be in touch once the RA has reopened and once your order has been dispatched. 

During this period our Returns Policy will be extended. For any order queries, please Contact Us

Free UK delivery on orders £50 and over

International delivery is based on weight and delivery country, and will be calculated at Checkout

Updated 19 May 2020

We are delivering! Enjoy free shipping on orders above £50. £5.95 P&P for orders below £50. International delivery will be calculated at Checkout. The Royal Academy is temporarily closed, Collection is not available at this time.

For any questions talk to us

Product story

‘I know little about the actual art of printmaking,’ Christopher explains, ‘but I knew what I wanted to achieve. One thing I had to ask Amy-Jane to do was to stop me working by hand on each individual print. She didn’t succeed... I added a three-dimensional paper spike and hand-drew lines on each print.’

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