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Garment of Flower and She (III), by Guler Ates

This striking print was made by Ates during a residency in India and formed part of a project at the Udaipur City Palace Museum.

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£1,500.00

Artwork details

Dimensions 40 x 60.5cm
Fabric & material Archival Digital Print
Edition 5
Medium Print

Delivery & returns information

Service Update (updated 19 March 2020)

We want to make sure your order reaches you as safely as possible. Therefore, due to the outbreak of COVID-19, all purchases of unframed prints from the RA Editions store will be dispatched once the RA has reopened. Delivery charges are detailed here. Please note that purchses of unique works that are for collection only will only be available for collection once the RA has reopened. The RA Editions Team will be in touch regarding all orders upon the RA reopening. 

During this period our Returns Policy will be extended. For any order queries, please Contact Us

UK tracked delivery is charged at £20, unless the work is collection only

International delivery is calculated by size and delivery destination, and can be viewed here

Our small team are working as quickly and safely as possible to prepare and send online orders.

Please expect delays to our service and thanks in advance for your patience. For more information on delivery times and terms, please click here.

All artworks are available for Delivery. You can find our Art Delivery Charges here. We have temporarily stopped shipping to EEA countries. The RA is temporarily closed, collection is not available at this time.

Updated 19 May 2020

All artworks are available for Delivery. You can find our Art Delivery Charges here. The Royal Academy is temporarily closed, Collection is not available at this time.

Our team will be in touch to confirm delivery details once your order is placed.

For any questions talk to us

Product story

Guler Ates’ arresting work is characterised by the subject of a veiled figure often photographed in historically opulent surroundings. Mysterious and ambiguous, her compositions are carefully constructed and often form part of wider performance piece. In this intimate image, the figure is presented in isolation within a decorative interior representing the domestic context of the inner apartments of houses in India and Pakistan. Whether hiding or indulging in a private moment, the figure in this work, as with all of Ates’ subjects, press the viewer to consider the complexity of the position of the non-Western woman’s within a media-dominated and increasingly judgmental Western world.