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Charlie Billingham often produces paintings, prints and site-responsive installations using expanded approaches to painting which reference the history of British Satirical print. Untitled is a continuation of this practice.
Produced in an edition of 125, each print is signed and numbered by the artist.
We want to make sure your order reaches you as safely as possible. Therefore, due to the outbreak of COVID-19, all purchases of unframed prints from the RA Editions store will be dispatched once the RA has reopened. Delivery charges are detailed here. Please note that purchses of unique works that are for collection only will only be available for collection once the RA has reopened. The RA Editions Team will be in touch regarding all orders upon the RA reopening.
During this period our Returns Policy will be extended. For any order queries, please Contact Us.
UK tracked delivery is charged at £20, unless the work is collection only
International delivery is calculated by size and delivery destination, and can be viewed here
Our small team are working as quickly and safely as possible to prepare and send online orders.
Please expect delays to our service and thanks in advance for your patience. For more information on delivery times and terms, please click here.
All artworks are available for Delivery. You can find our Art Delivery Charges here. We have temporarily stopped shipping to EEA countries. The RA is temporarily closed, collection is not available at this time.
Updated 19 May 2020
All artworks are available for Delivery. You can find our Art Delivery Charges here. The Royal Academy is temporarily closed, Collection is not available at this time.
Our team will be in touch to confirm delivery details once your order is placed.
Charlie Billingham produces paintings, prints and site-responsive installations. He uses expanded approaches to painting that refer to the history of British Satirical print, both through their uses of graphic boldness and in their repeated appropriations of fractured imagery whose details quote Gillray, Rowlandson and a Hogarthian comic narrative tradition.
His distinctly anachronistic references are merged and layered with passages of abstract and decorative painting, other linear fragments that hint at contemporary cartoon culture and a playful positioning of both historical and modern props.
The clichés of Modernist tropes, mock expressive gesture along with a lightness of touch and a brightness of palate all suggest an awareness that is equally conscious of the multiple histories that inform his art, while being confident in the irreverently unique manifestations these combined influences generate.
All proceeds from the sale of RA Editions prints go directly to support the RA Schools.
Billingham's distinctly anachronistic references are merged and layered with passages of abstract and decorative painting. Other linear fragments hint at contemporary cartoon culture and a playful positioning of both historical and modern props.
This print is one of a suite of four small-scale works produced by RA Schools graduates to celebrate the opening of the Keeper’s House. Other works in the suite by Adham Faramawy, Michael O'Reilly and Nancy Miller are also available.
The RA Editions programme generates valuable revenue for the RA and in particular the RA Schools.
https://shop.royalacademy.org.uk/untitled-by-charlie-billingham22404Untitled by Charlie Billinghamhttps://shop.royalacademy.org.uk/media/catalog/product/c/h/charlie-billingham---untitled.jpg195195GBPInStock/Art/RA Editions/Art/All Artworks/Art/RA Editions/Gallery X/Art/All Artworks/RA Editions/Art/All Artworks/Figurative<p>Charlie Billingham often produces paintings, prints and site-responsive installations using expanded approaches to painting which reference the history of British Satirical print. <em>Untitled</em> is a continuation of this practice.</p>
<p>Produced in an edition of 125, each print is signed and numbered by the artist.</p> <div data-content-type="row" data-appearance="contained" data-element="main"><div data-enable-parallax="0" data-parallax-speed="0.5" data-background-images="{}" data-element="inner" style="justify-content: flex-start; display: flex; flex-direction: column; background-size: cover; background-attachment: scroll; border-style: none; border-width: 1px; border-top-left-radius: 0px; border-top-right-radius: 0px; border-bottom-right-radius: 0px; border-bottom-left-radius: 0px; margin: 0px 0px 10px; padding: 10px; background-position: left top; background-repeat: no-repeat no-repeat;"><div data-content-type="html" data-appearance="default" data-element="main" style="border-style: none; border-width: 1px; border-top-left-radius: 0px; border-top-right-radius: 0px; border-bottom-right-radius: 0px; border-bottom-left-radius: 0px; display: none; margin: 0px; padding: 0px;"><p>Charlie Billingham produces paintings, prints and site-responsive installations. He uses expanded approaches to painting that refer to the history of British Satirical print, both through their uses of graphic boldness and in their repeated appropriations of fractured imagery whose details quote Gillray, Rowlandson and a Hogarthian comic narrative tradition.<br /><br />His distinctly anachronistic references are merged and layered with passages of abstract and decorative painting, other linear fragments that hint at contemporary cartoon culture and a playful positioning of both historical and modern props. <br /><br />The clich&eacute;s of Modernist tropes, mock expressive gesture along with a lightness of touch and a brightness of palate all suggest an awareness that is equally conscious of the multiple histories that inform his art, while being confident in the irreverently unique manifestations these combined influences generate.<br /><br /></p>
<p>All proceeds from the sale of RA Editions prints go directly to support the <a href="https://www.royalacademy.org.uk/page/the-ra-schools">RA Schools</a>.</p>
<p><br /><br /><img src="{{media url=wysiwyg/Charlie-Billingham---Untitl.jpg}}" alt="" /></p></div></div></div><div data-content-type="row" data-appearance="contained" data-element="main"><div data-enable-parallax="0" data-parallax-speed="0.5" data-background-images="{}" data-element="inner" style="justify-content: flex-start; display: flex; flex-direction: column; background-size: cover; background-attachment: scroll; border-style: none; border-width: 1px; border-top-left-radius: 0px; border-top-right-radius: 0px; border-bottom-right-radius: 0px; border-bottom-left-radius: 0px; margin: 0px 0px 10px; padding: 10px; background-position: left top; background-repeat: no-repeat no-repeat;"><div data-content-type="text" data-appearance="default" data-element="main" style="border-style: none; border-width: 1px; border-top-left-radius: 0px; border-top-right-radius: 0px; border-bottom-right-radius: 0px; border-bottom-left-radius: 0px; margin: 0px; padding: 0px;"><p>Billingham's distinctly anachronistic references are merged and layered with passages of abstract and decorative painting. Other linear fragments hint at contemporary cartoon culture and a playful positioning of both historical and modern props. </p>
<p>This print is one of a suite of four small-scale works produced by RA Schools graduates to celebrate the opening of the Keeper’s House. Other works in the suite by Adham Faramawy, Michael O'Reilly and Nancy Miller are also available.<br><br><br>The RA Editions programme generates valuable revenue for the RA and in particular the RA Schools.</p></div></div></div>00add-to-cartstore_type:Art£100 - £200Art29.7 x 21cmRelief Print125PrintSmall (up to 40cm)Art
