no 8 (framed)

by Paul Huxley RA

This work is part of the Keeper’s House display Paul Huxley RA: Accidental Printmaker, on show in The Sir Hugh Casson Room from 12 September 2019.

Please note that all framed works purchased will be available for collection from the Royal Academy of Arts at the end of the display by appointment with the RA Editions team.

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£1,525.00

Artwork details

Colour Green
Dimensions 84 x 80 cm
Fabric & material Screenprint
Edition 150
Supplier VAT Number GB 627 5993 93

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Artwork description

“The prints I have made are scattered over the six decades I have been working and reflect a somewhat serendipitous insight into the ideas and themes I have developed in my painting.”

Paul Huxley RA, 2019

Paul Huxley’s multi-disciplinary practice includes painting, sculpture and printmaking. Perhaps best known for his paintings, printmaking has accidentally become an important aspect of his life’s work.

By the time Huxley entered the Royal Academy Schools at the age of seventeen, he had been thoroughly trained in the three central methods of printmaking; etching, lithography and block printing. The Royal Academy Schools at the time had no facilities for printmaking and Huxley turned his focus to painting.

On his first visit to the United States in 1964, Huxley was reminded of the power of printmaking during a visit to Tatyana Grosman’s workshop on Long Island, when he saw prints by American artists including Helen Frankenthaler, Robert Motherwell, Barnett Newman and Jasper Johns.  One year later, and five years after graduating from the RA Schools, Huxley was invited to make a set of lithographs and started printmaking again.

Since then, Huxley has made prints whenever the chance has presented itself and printmaking has become a substantial portion of his artistic output. Accidental Printmaker is a display of Huxley’s favourite prints from 1965 -2019 and forms a retrospective of this significant part of his practice.

In 1973 Huxley was invited by Christie’s Contemporary Art to produce this print at Advanced Graphics. This was his first screenprint, in Huxley’s early years as an art student silkscreen printing was not considered to be a fine art medium.

In Huxley's own words:

“I was pleased with the way [this print] worked because the technique is very similar to the way I paint.  The iconography is very similar to that in no 5 and no 6, 1970 and Untitled, 1973 in that the cluster of coloured sections in the upper right corner acts as a kind of key to the larger dark shapes that dominate the main composition. 

Although these images are physical and colourful, it could be argued they are conceptual because they propose another possible work that does not actually exist.”

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RA Editions

The RA Editions programme publishes and showcases prints by Royal Academicians and invited artists. All are available to buy online, from the RA Shop in Gallery X as well as through a series of displays within the   Keeper’s House and Burlington Gardens. The programme generates valuable revenue for the RA and, in particular, the RA Schools.

Artist Sales: This work is sold by the artist. The sale is facilitated by RA Enterprises (RAE) for which they receive only a commission from the artist.

About Paul Huxley RA

Paul Huxley RA studied at Harrow School of Art (1951-1956) followed by the Royal Academy Schools (1956-1960). He taught at the Royal College of Art and was appointed Professor Emeritus in 1998.

A member of the Royal Academy of Arts since being elected a Royal Academician in 1987, Paul Huxley RA acted as the Treasurer from 2000 to 2014 and served... Go to artist page