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What Remains to be Seen

Born in middle-class Philadelphia in the 1940s, Howardena Pindell came of age during the Civil Rights movement. As an African-American woman artist, making her way in the world provided Pindell with source material to inspire her work. This book examines every facet of Pindell's impressive career to date.

This book is part of a curated reading list by Yinka Shonibare CBE RA, created especially for the RA Shop. Read more and shop the full selection here.

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£45.00
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More details

Dimensions 19.8 x 1 x 12.9cm
Fabric & material Hardback
No. of Pages 176
SKU 12091725

Delivery & returns information

Service Update (updated 19 March 2020)

We want to make sure your order reaches you as safely as possible. Therefore, due to the outbreak of COVID-19, all orders will be dispatched once the RA has reopened. We will be in touch once the RA has reopened and once your order has been dispatched. 

During this period our Returns Policy will be extended. For any order queries, please Contact Us

Free UK delivery on orders £50 and over

International delivery is based on weight and delivery country, and will be calculated at Checkout

Our small team are working as quickly and safely as possible to prepare and send online orders.

Our last order date is 12 December 2021 for your gifts to arrive in time for Christmas. For more information on delivery times and terms, please click here.

Enjoy free shipping on orders above £50. £5.95 P&P for orders below £50. International delivery will be calculated at Checkout. We have temporarily stopped shipping to EEA countries. 

Updated 19 May 2020

We are delivering! Enjoy free shipping on orders above £50. £5.95 P&P for orders below £50. International delivery will be calculated at Checkout. The Royal Academy is temporarily closed, Collection is not available at this time.

For any questions talk to us

Product story

Since the 1960s, she has used materials such as glitter, talcum powder, and perfume to stretch the boundaries of traditional canvas painting. She has also infused her work with traces of her labor, such as obsessively affixing dots of pigment and circles made with an ordinary hole punch tool. After a car crash in 1979 left her with short-term amnesia, Pindell's work looked beyond the painting studio to explore a wide range of subjects, including the personal and diaristic as well as the social and political. This monograph also highlights Pindell's work with photography, film, and performance. Excerpts from the artist's writing, in particular her critique of the art world and her responses to feminism and racial politics, provide prescient commentary in light of conversations around equality and inclusion today.

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