Tote Bag RA x Bella Freud Naked Self Portrait
The daughter of Bernardine Coverley and artist Lucian Freud, and the Great Granddaughter of the inventor of Psychoanalysis Sigmund Freud, Bella Freud was born in London. She studied in Rome and trained with Vivienne Westwood before launching her eponymous brand in 1990 - with a logo designed by her father.
This tote bag features the limited edition screenprint Naked Self Portrait, 2019 by Bella Freud on one side and on the other Bella Freud's logo, designed by her father Lucian Freud.
Naked Self Portrait celebrates the work of Bella's father and was created exclusively for the RA to accompany the exhibition Lucian Freud: The Self-portraits.
|Dimensions||50 x 42 x 10cm|
Delivery & returns information
UK delivery within 3 to 5 working days*
Free UK delivery on orders £50 and over
* For made to order Epic Posters by Surface View please allow up to 14 working days for the order to be processed, printed and delivered within the UK
In a world first, the Royal Academy of Arts unite Lucian Freud’s self-portraits in one extraordinary exhibition. See more than 50 paintings, prints and drawings in which this modern master of British art turns his unflinching eye firmly on himself.
One of the most celebrated portraitists of our time, Lucian Freud is also one of very few 20th century artists who portrayed themselves with such consistency.
Spanning nearly seven decades, his self-portraits give a fascinating insight into both his psyche and his development as a painter – from his earliest portrait, painted in 1939, to his final one executed 64 years later. They trace the fascinating evolution from the linear graphic works of his early career to the fleshier, painterly style he became synonymous with. When seen together, his portraits represent an engrossing study into the process of ageing. Confronting his self-image anew with each work, he depicted himself in youth as the Greek hero Acteon, in sombre reflection later in life and fittingly, for the great painter of 20th century nudes, naked aged 71 but for a pair of unlaced boots.
When asked if he was a good model for himself Freud replied, “No, I don’t accept the information that I get when I look at myself, that’s where the trouble starts”. It is precisely this “trouble” that makes Freud’s self-portraits so intensely compelling – and makes this an unmissable chance to see a life’s work in one show.