Bill Jacklin RA enjoys making monotypes, whose fusion of printmaking and painting techniques is particularly well suited to his subject-matter. Painted on a polished, non-absorbent surface, these images are unique, and no reusable element, such as an etching plate, woodblock or stencil, is employed in their creation. This handsome new book reproduces a wide range of Jacklin’s exuberant monotypes and contains an informative account of them by the poet Nancy Campbell.
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Born in 1943 in London, Bill Jacklin RA initially studied and worked in graphic design before a move to study painting at the Royal College of Art. Initially abstract, his work moved towards figuration in the mid-1970s, at which point he also became preoccupied with the effects of light and movement, twin strands that have characterised his work ever since. Since his move to New York in 1985, he has concentrated on painting portraits of the city in all its guises, from large-scale compositions of crowds in flux to Seurat-like etchings depicting more intimate urban moments.
https://shop.royalacademy.org.uk/bill-jacklin-monotypes61348Bill Jacklin Monotypeshttps://shop.royalacademy.org.uk/media/catalog/product/1/2/12095229---bill-jacklin-monotypes---1200x1200px---_c_-y.jpg2525GBPInStock/Books/All Books/Books/All Books/Published by the Royal Academy/New In26227773912224262<p>Bill Jacklin RA enjoys making monotypes, whose fusion of printmaking and painting techniques is particularly well suited to his subject-matter. Painted on a polished, non-absorbent surface, these images are unique, and no reusable element, such as an etching plate, woodblock or stencil, is employed in their creation. This handsome new book reproduces a wide range of Jacklin’s exuberant monotypes and contains an informative account of them by the poet Nancy Campbell.</p> <style>#html-body [data-pb-style=BINNYCP]{justify-content:flex-start;display:flex;flex-direction:column;background-position:left top;background-size:cover;background-repeat:no-repeat;background-attachment:scroll}</style><div data-content-type="row" data-appearance="contained" data-element="main"><div data-enable-parallax="0" data-parallax-speed="0.5" data-background-images="{}" data-background-type="image" data-video-loop="true" data-video-play-only-visible="true" data-video-lazy-load="true" data-video-fallback-src="" data-element="inner" data-pb-style="BINNYCP"><div data-content-type="text" data-appearance="default" data-element="main"><p>Born in 1943 in London, Bill Jacklin RA initially studied and worked in graphic design before a move to study painting at the Royal College of Art. Initially abstract, his work moved towards figuration in the mid-1970s, at which point he also became preoccupied with the effects of light and movement, twin strands that have characterised his work ever since. Since his move to New York in 1985, he has concentrated on painting portraits of the city in all its guises, from large-scale compositions of crowds in flux to Seurat-like etchings depicting more intimate urban moments.</p></div></div></div>00add-to-cartartist_name:Bill Jacklin RAstore_type:ShopBill Jacklin RAShopHardback27 x 1 x 23cm9781915815064104No
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277262Published by the Royal Academyhttps://shop.royalacademy.org.uk/books/bookshop/ra-publications1/2/224/262/2771/Books/All Books/Published by the Royal Academy
